Thursday, 24 March 2016

Calling all members: recommend a book!

 Image credit: Pimthida, Flickr

 
We're trying out a new way of picking our monthly book whereby each reading group member (whether you attend in person or not) may submit the title of one book which they would like to see discussed. All of these titles will then be placed in a hat and a new one drawn out at each month's meeting.

WCRG members at home and abroad are invited to submit their preferred title via email to wolfsonreading@gmail.com. The full list of recommended reads will then be added to the blog along with synopses and book jacket images.

There are no rules governing what you can suggest. We have always been quite flexible in interpreting the word 'contemporary' in our group name, but books published from the 1920s upwards is probably a good guide. Recommending particularly long and complex books (400 pages and upwards) is not discouraged, but such titles may be reserved for reading over the summer vacation.

You don't have to have read the book yourself in order to recommend it – the book can be a favourite of yours, or one you've always wanted to read. If you have read the book before, please consider adding a line or two explaining why you are recommending it.

We want every member to feel part of the reading group, so please send in your recommendations! And while we'll only put one book title from each member in the hat right now, you are very welcome to suggest additional book titles also.

April 2016: Our next book


The Ocean at the End of the Lane, Neil Gaiman


The next meeting of the Reading Group will take place on Wednesday, 27 April 2016 at the usual time of 7.30pm in Plommer A. We will be meeting to discuss Neil Gaiman's The Ocean at the End of the Lane.

From Amazon.co.uk:

THE OCEAN AT THE END OF THE LANE is a fable that reshapes modern fantasy: moving, terrifying and elegiac - as pure as a dream, as delicate as a butterfly's wing, as dangerous as a knife in the dark - from storytelling genius Neil Gaiman. 

It began for our narrator forty years ago when the family lodger stole their car and committed suicide in it, stirring up ancient powers best left undisturbed. Dark creatures from beyond this world are on the loose, and it will take everything our narrator has just to stay alive: there is primal horror here, and menace unleashed - within his family and from the forces that have gathered to destroy it.

His only defence is three women, on a farm at the end of the lane. The youngest of them claims that her duckpond is an ocean. The oldest can remember the Big Bang.

Everyone is very welcome to join us on 27 April and we hope to see you for the usual lively discussion and refreshments. However, if you are unable to be with us, please email your comments and scores so that they can be shared with the group.
The book is available in local libraries, and in paperback and Kindle edition from Amazon* and other booksellers.

*Please remember to use the link on the Wolfson Alumni & Development website if you choose to buy from Amazon, as College will benefit from the sale: http://www.wolfson.cam.ac.uk/alumni/amazon/

March book review: 'The Rosie Project', by Graeme Simsion

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Book: The Rosie Project, Graeme Simsion


Publication date: 2013


WCRG meeting: 23 March 2016


Rating: 6.8


The lighthearted nature of Graeme Simsion’s ‘charming’ book seemed to infuse the reading group last night, as all were in particularly high spirits while discussing The Rosie Project. It may not be a great work of literature, but the majority of the members who read The Rosie Project enjoyed it enormously. One reader memorably remarked that the book is ‘funny as a fit’ and that she regularly thought ‘I know that person’ while reading it. Those who responded less favourably to the book were disappointed by the predictability of the romantic plot line, with one reader commenting that it was something of a ‘one joke book’ where they grew weary of the repetitious Asperger joke.

Comparisons to the TV show The Big Bang Theory and Mark Haddon’s bestselling The Curious Incident of the Dog in the Nighttime were also made, with some readers preferring the more adult insights provided in The Rosie Project. Two or three readers found it to be very similar to the TV show and were not surprised that the book began life as a screenplay, with its focus on humorous, if somewhat unrealistic occurrences.

While the majority enjoyed the novel immensely, all admitted that the plot was predictable, especially as Don’s relationship with Rosie progressed. No one really doubted that Don would end up with Rosie in the end (it is called The Rosie Project after all), but many found the speed with which Don changed his thinking and way of life unbelievable. All save one member agreed that Rosie’s ‘father project’ is the weakest part of the novel. Most found that particular plot at best confusing, at worst completely irrelevant. Only one reader was intrigued by Rosie’s search to learn the identity of her biological father and satisfied with its denouement. Some readers expressed incredulity at the lengths Rosie, but particularly Don, was willing to go to in order to test all of the DNA samples, particularly considering the ethical lines he was wiling to cross.

The insights into university life and the political scheming which goes on in academe were felt to be particularly well-observed, and Don’s refusal to conform to these social codes of conduct (such as with the student who plagiarised part of his assignment) was a source of amusement. Don’s comically awkward interactions with women were also a strength of the novel, particularly in scenes such as where he practiced his dancing with the skeleton, or, where Don set the timer on his watch in response to someone asking him to ‘give them a minute’.

Only one reader questioned the integrity of the novel, arguing that Simsion was irresponsible in his portrayal of Don Tillman, depicting him ambiguously as both an eccentric character and someone potentially on the autistic spectrum. By failing to research the matter carefully and write more thoughtfully about Don’s life experiences, this reader felt that Simsion offered an overly simplistic view of Asperger's syndrome.

However, other reading group members strongly disagreed with this assessment of the novel, with many describing it variously as heart-warming, poignant, and revealing. Most members felt that the novel raises awareness of a condition which is often poorly understood, and gives some insight into the challenges faced by those living with an autistic-spectrum condition; introducing them to a difficult subject in an accessible and memorable way. One reader reported that a friend, who is the mother of an autistic child, appreciated the book and ‘recognised every page’. And another member, who is herself the mother of an ‘Aspie’, found the story to be ‘fun, warm and loving’ and worth sharing with her son at bedtime.

One reader admitted feeling quite envious of Don’s uncluttered life – his carefully organised schedule and his daily meal plans, for example. In response, another reader mentioned that this more simple, streamlined way of living is garnering attention in certain quarters right now. The thinking behind it is that all decisions take energy to make and, if one makes the performance of non-important tasks automatic, one saves energy which can then be expended on things one considers more important.

While no one is rushing out to buy the sequel – The Rosie Effect – all those present (and those who sent in email reviews) found The Rosie Project to be a very enjoyable read. All save one member gave the book at least 6 out of 10, leading to an overall WCRG rating of 6.8.

Saturday, 27 February 2016

What I've been reading...

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Robert Harris, Dictator (Hutchinson, 2015)

Just finished reading the above book and I loved it. It is the third in a trilogy of novels centred on the life of Cicero, as narrated by his slave/secretary Tiro during turbulent times in Rome’s history (weren’t they all turbulent?) when Julius Caesar has become part of the triumvirate with Pompey and Crassus. It concludes with Cicero’s rather brutal death and his realisation that he has miscalculated in his support of the young Octavian, later to become Augustus.

None of this is not a plot spoiler: Harris’s research of the period is extensive – his bibliography is impressive – and he keeps very close to the written sources. In fact, one reviewer said you might as well read the sources rather than Harris’s fictionalized account as he keeps so close to them. Harris’s writing style is clear. His characters are well drawn and you really care about the fate of Cicero, his daughter Tullia and his slave/secretary Tiro, as well as a host of other characters in the book. He maintains the tension throughout the book even if some of us are aware of how it must end. Harris was a political journalist in his other life and it shows. He enjoys recounting the political machinations of the Roman senators.

I love this kind of fiction based on fact. I can enjoy a good story in the hands of a master craftsman, but also feel I am learning a bit of history. There are, however, some weaknesses. Occasionally Harris slips into slightly jarring modern vernacular; for example Pompey and Crassus are said to stand for election “on a joint ticket”. But overall this is compulsively readable and succeeds in re-creating the social and political world of late republican Rome – I’m a great fan of Robert Harris as a writer. And the book makes me want to read the sources, all in the Loeb Classical Library. If you feel that modern government today is far from ideal in its corruption and greed, perhaps reading this novel might help put it into perspective. But then perhaps we should have learnt a stronger lesson from our Roman forebears.

Christine L. Corton

March 2016: Our next book


The Rosie Project, Graeme Simsion


The next meeting of the Reading Group will take place on Wednesday, 23 March 2016 at the usual time of 7.30pm in Plommer A. We will be meeting to discuss Graeme Simsion's The Rosie Project, the debut novel of this Australian writer, published in 2013.

From the book jacket:

Love isn't an exact science – but no one told Don Tillamn. A handsome thirty-nine-year-old geneticist, Don's never had a second date. So he devises The Wife Project, a scientific test to find the perfect partner. Enter Rosie – 'the world's most incompatible woman' – throwing Don's safe, ordered life into chaos. Just what is this unsettling, alien emotion he's feeling?

Everyone is very welcome to join us on 23 March and we hope to see you for the usual lively discussion and refreshments. However, if you are unable to be with us, please email your comments and scores so that they can be shared with the group.
The book is available in local libraries, and in paperback and Kindle edition from Amazon* and other booksellers.

*Please remember to use the link on the Wolfson Alumni & Development website if you choose to buy from Amazon, as College will benefit from the sale: http://www.wolfson.cam.ac.uk/alumni/amazon/

Februrary book review: 'A God in Ruins', by Kate Atkinson

Image credit: www.waterstones.com

Book: A God in Ruins, Kate Atkinson


Publication date: 2015


WCRG meeting: 24 February 2016


Group rating: 6.5


A particularly large and lively group of members, new and old, gathered to discuss Kate Atkinson's latest bestseller, A God in Ruins. This hugely successful book, which saw Atkinson win the Costa book award for the third time, met with very passionate and mixed responses from our readers. While some members loved the book, most were less commendatory in their assessment, feeling that Atkinson had produced an enjoyable but flawed novel. The discussion opened with debate as to the meaning of the title, with some believing that Teddy represents the god who crashed down to earth and lived a rather dysfunctional life thereafter. It was remarked that the Emerson quotation at the beginning sums up the novel pretty well: 'A man is a god in ruins. When men are innocent, life shall be longer, and shall pass into the immortal, as gently as we awake from dreams.' One reader observed that the novel represents the universal condition of man and depicts an 'allegorical rather than a personal journey.'

Many of the members were frustrated by the unsympathetic character of Viola and the lack of light and shade in her portrayal. It was felt that her bitterness and cruelty as a mother and daughter were never truly explained, and that the awful death of her mother Nancy (aided by Teddy) could have been explored in more depth. One reader noted that Viola may have been named after the wrong Shakespearean character, bearing more resemblance to Goneril; while Bertie occupied the Cordelia role in the story. Viola's relationship with her father was very one-note and her rebellion against everything her father held dear was sustained unrelentingly throughout the novel. It was also noted that, despite the implication that Nancy's death had a huge impact on Viola, Nancy herself was a very vague, one-dimensional character, with no real sense of her character being evoked. The potential emotional impact of her death was lost as a result of the failure to bring the character to life.

Atkinson is known for her interest in stylisation (as evidenced in her previous work, Life After Life), but it was largely felt by the group that she wasn't as successful with her experiments in this novel. The chapter focusing on Sunny was described by one reader as 'grotesque' and 'over-the-top' and by others as an unsatisfying imitation of the Gothic genre. The influence of other works on Atkinson's writing was also remarked upon, with all present agreeing that her allusions to a broad sweep of writers from the literary canon were clunky and obtrusive, serving to show off her erudition rather than add anything meaningful to the narrative. Only one of our overseas readers appreciated the wealth of literary allusions, describing it as a 'veritable literary education'.

Disagreement arose as to the success of the chapters which focused on Teddy's WWII experience. Some readers found them over-long and drawn-out, with the novel wearing Atkinson's research too heavily. However, others found the war scenes gripping and realistic, and some of the most substantial portions of the novel. Readers also disagreed on the topic of the novel's controversial ending. For some, the reading experience was enriched because of the final reveal, which poignantly captures the reality of war: that lives full of possibility can simply disappear from time and memory. Many members were moved by this final twist, while others felt 'cheated' and believed that the ending 'negates' the rest of the novel. Some found the ending to be an 'amateurish trick' and an unsatisfying return for their investment in Teddy's story. All agreed that the inclusion of the Augustus story was unsuccessful and 'slightly irrelevant', as the message that Augustus represents Teddy immortalised was already clear from reading the novel. Atkinson remarked in an interview that A God in Ruins was a novel about fiction, but it was thought by some that she was being too meta in her use of literary tricks, sacrificing sincerity for cleverness.

Those who most enjoyed the novel seemed to be the readers who had not read Life After Life, the novel to which Atkinson wrote A God in Ruins as the companion. For some who had read and loved Life After Life, Atkinson's follow-up was thought to be vastly inferior. These readers were dismayed by Atkinson's lack of thoughtfulness, craft, and commitment in A God in Ruins, a 'lazy' novel with 'flat' characters and insufficient editing. This response was in stark response to two readers in particular, who were captivated by the pace of the novel and Atkinson's 'skilful' narration, and gave it high scores as a result. One member commented that the overwhelmingly positive critical reception of A God in Ruins was puzzling given the frank and, at times, critical appraisal of it by the Wolfson Contemporary Reading Group. It certainly led to one of the Group's most divisive reviews of a novel, a divide somewhat reflected in the score of 6.5.







Saturday, 13 February 2016

What I've been reading...

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Harper Lee, Go Set a Watchman (London: William Heinemann, 2015)


Oh dear! The only positive thing I have to say about this book is that it encouraged me to reread Harper Lee’s To Kill a Mockingbird (1960), which I think is a truly wonderful book, filled with warmth and, while making its point about the unfairness of life (especially black Americans), it also shows a society that tries to be fair especially through the portrayal of Atticus Finch, a true Gentleman in every sense of the word. This latest novel, on the other hand, has no warmth and it even shows Atticus Finch adopting some quite racist attitudes. Written before To Kill a Mockingbird, it was submitted to the editor, Tay Hohoff, who saw its potential and encouraged Lee to rewrite, and from that came the later book.

I did not like the style of Watchman, which indulged in a lot of calling people ‘honey’ and ‘sweetheart’. The plot bored me and I did not feel any empathy for Atticus or Scout (in this book largely called Jean Louise and a twenty-six-year-old returning to Maycomb after living in New York). It explores the tensions over race between the more liberal North and the still racist South which wants to keep the black Americans well and truly underfoot. Scout is shocked to discover that Atticus is allowing people in an official council meeting to openly demand that the black Americans are kept in their place – a view Atticus supports since he believes that black Americans are not educated enough to vote and would, through their sheer voting numbers, put black men in governing positions. In the end Scout comes to agree with her father’s stance – something which I might have found disappointing if I had at all cared about her as a character.

The reviews of this book warn the reader not to read this as a sequel to To Kill a Mockingbird. [SPOILER ALERT<] And it is hard to discover in this novel that Jem has dropped down dead from a heart attack and Dill is tramping around Europe after the trauma of the Second World War [>/SPOILER ALERT] but, if I just look at this book on its own, as I am encouraged to do, I would suggest that it is not good enough, and it should not have been published, doing great damage to Lee as a writer. Am I right in believing that there was a hint that Truman Capote helped Lee with To Kill a Mockingbird? If so, then perhaps this later novel had more to do with Capote than Lee. My mark would be 1 out of 10. I really could not see any reason to publish it or to read it. 


Christine L Corton

Wednesday, 20 January 2016

February 2016: Our next book

 

A God in Ruins, Kate Atkinson


The next meeting of the Reading Group will take place on Wednesday, 24 February 2016. At 7.30pm on this date, we will all gather in Plommer A to discuss Kate Atkinson's A God in Ruins. Published in May 2015, Atkinson's novel recently won the Costa novel prize, making her the first author to receive the prize three times.
 
A God in Ruins charts the life of Teddy Todd – would-be poet, World War II bomber pilot, husband, father, and grandfather – as he navigates his way through life in the 20th century. The biggest challenge of all for Teddy will be living in a future he never planned to have.
 
Described as 'horribly funny', 'authentic' and Atkinson's 'tour de force', the book looks at the effects of war, not only on those who live through it, but on subsequent generations living in its shadow. Those who have read Atkinson's previous novel, Life After Life, will recognise Teddy as Ursula Todd's  younger brother, but A God in Ruins is still a novel capable of standing on its own.
 
Everyone is very welcome to join us on 24 February and we hope to see you for the usual lively discussion and refreshments. However, if you are unable to be with us, please email your comments and scores so that they can be shared with the group.
 
The book is available in local libraries, and in paperback and Kindle edition from Amazon* and other booksellers.

*Please remember to use the link on the Wolfson Alumni & Development website if you choose to buy from Amazon, as College will benefit from the sale: http://www.wolfson.cam.ac.uk/alumni/amazon/

January book review: 'Frog', by Mo Yan

 
 
Book: Frog, Mo Yan
 
 
Publication date: 2014 (2009 in Chinese)
 
 
WCRG Meeting: 13 January 2016
 
 
Group rating: 5.8
 
 
In the first meeting of the New Year, the Reading Group met to discuss Mo Yan's Frog. First published in Chinese in 2009, Mo Yan has gained increased international attention as a novelist since winning the Nobel Prize for Literature in 2012. The member who recommended the book was keen to see how the group would find Mo's work and felt that our Reading Group members would read the text closely, rather than simply be swayed by the wildly differing opinions of Mo Yan as either a brave whistle-blower against the establishment, or the mouthpiece of the Chinese government. Reading the book – which deals with the one-child policy in China – at this time was also felt to be particularly apt given the announcement of the official ending of this policy in 2015.
 
In explaining its decision to award the Nobel Prize to Mo Yan, the selection panel described his style as one of 'hallucinatory realism'; and this blurring of the lines between superstition and reality, truth and subterfuge, was evident to all who read Frog. Mo's frankness in describing the brutal realities of enforcing the one-child policy is counter-balanced by a certain playfulness in dealing with some of the other painful issues of the time, such as the starving children eating coal and the ambiguity surrounding the provenance of Little Lion's and Tadpole's baby.
 
It was remarked upon by a number of readers that Mo Yan 'fudges' the issue of who is responsible for the suffering of the people and raises potential economic justifications for the policy through the narrator, whom all believed to represent Mo Yan himself. One member commented that, for all the detail provided, she didn't get a sense of history or the passage of time from reading the novel, and felt that interrogation of the issues was avoided.
 
Gugu is ostensibly the main character, but she does not tell her own story. Instead, her story is told by a man in a society which heavily dictates the role of women. This framing of Gugu's story may have been an attempt to highlight this injustice, but it had the unfortunate side-effect of distancing the reader from Gugu. One never gets a glimpse of her interiority or that of any character in the book. One member memorably described the characters of Frog as 'illustrations of points' rather than representations of flesh and blood people. The epistolary form of the novel, where Tadpole tells the story of his family and his village through a series of one-sided letters to his Japanese mentor, was also felt to be rather awkward.
 
The possibility was raised that the at-times clunky prose may partly have been the effect of the translation. Howard Goldblatt is the English translator of all Mo Yan's works and is known for self-editing the texts so as to, in his opinion, make them more palatable for Western readers. Not speaking English himself, Mo Yan is supposedly unfazed by the possibility that his works are being, at best edited, but at worst butchered.
 
It was argued, quite passionately, that Mo Yan does not set out to create heroes in Frog. Instead, he creates ugly characters that expose ugly truths about humanity. However, readers were not disappointed by the negativity of the character portrayals so much as they were by the failure to fully realise any of the characters, or move them beyond mere caricature. Mo Yan's style may have been designed to allow his readers to think independently but it also created a distance between readers and the text, particularly Western readers who have not had first-hand experience of such situations. This begs the question of how an author writes for an audience: should a writer address an audience in terms that he/she would understand, or pitch the work at some approximation of a universal audience?
 
All present at the meeting found Frog to be an educational and beneficial read, bringing their attention to a society and a culture too often shrouded in mystery or obscured by misrepresentation and misunderstanding. A few members were very appreciative of the novel, giving it scores of six and seven. Ultimately, however, there was very little strong enthusiasm for the novel – giving the impression that, for many, it was a spoonful of medicine, required but not enjoyed. This somewhat lukewarm response to the text is reflected in its score of 5.8 out of 10.
 

January 2016: Our next book


 

Frog, Mo Yan


The next meeting of the Reading Group will take place on Wednesday, 13 January 2016. At 7.30pm on this date, we will all gather in Plommer A to discuss Mo Yan’s Frog. First published in Chinese in 2009, the novel was published in its English translation earlier this year. Mo Yan, which means ‘Don’t speak’, is the pen name of Guan Moye and his curiously titled novel is set in his real-life home county of Gaomi in China. The novel is based on the life story of the author’s aunt, Gugu, and is told through a series of letters between the narrator and an unidentified Japanese writer.

Quoting Isabel Hilton in the Guardian newspaper, 18 December 2014: ‘Gugu is 70 when the story opens with the first letter. The daughter of a famous doctor, her life spans the Japanese occupation of China, the victory of the Communist party in 1949, the hunger and violent political upheavals of the first 30 years of communist rule and, finally, the lurch to a peculiarly rampant form of state-directed capitalism and the social forces it unleashes. Some villagers grow rich; others sink into destitution. Gugu trains as a midwife while still a charismatic and heroic teenager, and begins her career by dispatching the ignorant and superstitious old women who, with fatal effects, have hitherto attended village births. Gugu’s reputation spreads quickly as she delivers children through the ravages of famine and political upheaval. […]

Her golden career falters, however, when her glamorous fiance, an airforce pilot, defects to Taiwan. Narrowly escaping disgrace as a conspirator in his treason, Gugu throws herself with renewed and implacable zeal into the state’s one-child policy. The beloved midwife becomes hated state abortionist, hunting down and forcibly terminating unlicensed pregnancies. Many expectant mothers and thousands of unborn children die horribly. When China begins its economic transformation, only the poor remain caught by the rules. The rich can afford to pay the fines; the poor have to cheat. The policy stays in place, one character explains, because it allows the state to collect fines.’

The book is available in paperback and Kindle edition from Amazon* and from a number of bookshops. It promises to be a source of interesting and meaningful discussion, and we hope that you will join us to celebrate our first meeting of the New Year. Refreshments, as always, will be provided at the meeting. If you are unable to attend, please consider emailing your comments and your score in advance of the meeting.

*Please remember to use the link on the Wolfson Alumni & Development website if you choose to buy from Amazon, as College will benefit from the sale: http://www.wolfson.cam.ac.uk/alumni/amazon/